半山芭艺术祭节目表 Pudu Art Fest Event Calender

裝置藝術家 Installation Artist - 黃競標 | Kim Ng

黃競標  | Kim Ng

目前在達爾尚藝術學院教授版畫和雕朔科目,是該美術院純美術系主任。1997獲英國西敏寺大學(University of Westminster)純美術系碩士學位, 2000年參加Kensington & Chelsea College的教師訓練課程。2002年另獲倫敦市政庭大學(London Guildhall University) MA by Project 的碩士學位.

Handles printmaking and sculpture subjects at Dasein Academy of Art. Apart from lecturing, he is also a practicing artist actively participate in local art scene. He works across printmaking and mixed media construction, his work shows an intimacy of his personal experience and social connection.

作品介紹 | Artwork description:

你的生活。我們的歷史  | “Your Life.  Our History”

我很有兴趣对富都广场大门入口处左侧面墙的“旧半山芭建筑模型”进行重新建构的工作。我将会使用木刻的技巧对该模型受到破坏的地方进行维修。一方面我会保留“旧半山芭建筑模型”原本的面貌和色调，另一方面我将会为该模型添上一些半上芭居民的生活风貌图像雕刻。

The location I am interested is the “re-construction” of “old Pudu building model” at the left hand side of the main entrance of Pudu Plaza when you walk up the staircase.

My plan for the project is to use the wood carving techniques to further “re-construct” certain parts of the model, which have fallen apart or were damaged. This also fulfills my personal intention to “re-store” those empty parts, and hopes those work can stay there for long, or as permanent.

Images of“Pudu life”will be collected and turned into woodcuts carved on thin panels, which will then be fixed onto the original structure at the site. Colour-wise, I have opted for colour that is as close as possible to the original painterly colour without causing too much difference from its original.

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裝置藝術家 Installation Artist - 嚴潤森 | Yim Yen Sum

嚴潤森  | Yim Yen Sum

馬來西亞新生代藝術家

A new generation Malaysian artist.

作品介紹 | Artwork description:

新衣服  | New Cloths For “Her”

我的作品是探討人与人之間及人与環境的關系。一直以來,在新舊交替的過程中,傳統往往會被人們忽略掉。我想探索我們在這新舊交替過程及環境中被影響了什么,失去了什么。 在我作品中,一針一線都述說著各种情感,而這情感把兩件分開的物体結合在一起。

我偏向于以雕塑和裝置去呈現我的想法,因為我覺得他實際存在于空間里,和現實的距离比較接近。而我選擇把硬性的建筑物化,因為硬性的建筑物把人与人分离了,所以我把物体軟化,希望人們可以相處地更融洽。

My artwork inquires into the relationship between people and relationship between people and environment. As from before, in the process of the transition from the old to the new, traditions have always been neglected by us. I want to explore ourselves in the process of transition from the old to the new, and, what affects us and also what is lost.

In my artwork, needlework has become a very important medium. I feel that in the process of needlework, every needle narrates a different sentiment, and this sentiment unites a certain separated parts together.

I prefer using sculptures and installations to present my thoughts because I think they are closer to reality because of the presence of space. I like to soften tough architectures, because tough architectures gives a feeling as if it separates people up, therefore I soften it up, hoping that people can live together in harmony.

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裝置藝術家 Installation Artist - Astrid Köppe

Astrid Köppe  

住在德國柏林的視覺藝術家,目前在吉隆坡進行Lost Generation Arts Space和德國歌德學院合作的藝術家駐村計划。

Astrid Köppe is a German visual artist based in Berlin. Born in 1974, she studied fine art at the Braunschweig School of Art and has been a freelance artist for 10 years. She is currently staying in an artist residency in KL, a programme by Goethe Institute in collaboration with Lost Generation Arts Space.

作品介紹 | Artwork description:

無題  | Untitled

藝術家將會制作十個燈箱,她將會收集富有本地特色的物品,呈現變形的藝術,以似是而非的圖案,勾起人們的回憶。這些圖案或者符號將印制在燈箱,挂在半山芭商家的店屋外面。

A series of 10 light boxes with abstract images of local impressions. The art pieces are made entirely from everyday objects. Light boxes are chosen as the medium of presentation because the old Chinese advertisement signboards and light boxes in Pudu had immediately caught my attention and struck me as a distinctive characteristic of the area.

As I can’t read Chinese, the words look rather like abstract drawings to me—cryptic but beautiful. In this I see an analogy to my drawings. In general, I prefer my artworks to mingle with their surroundings rather than being too prominent. Therefore, my installation art pieces are specially created to blend into the existing kaleidoscope of signboards and light boxes. Their presence may not be instantly noticed, but when someone catches sight of them, they will appear somewhat mysterious, giving the passers-by something to puzzle about—a good way to start them thinking, and hopefully, it will open their eyes to the beauty of everyday objects around them.

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裝置藝術家 Installation Artist - 吳利光 | Goh Lee Kwang

吳利光  |  Goh Lee Kwang 

聲音藝術家,作品包括音樂實驗与聲音藝術裝置作品,曾多次個人到歐洲巡回演出,參与歐洲与亞洲多個藝術節。

Goh Lee Kwang is probably one of the most exciting Malaysia sound /new media artists in the scene. He has travelled around the world creating sound installations, sonic-visual interactive installation, single / multichannel video, appeared in electro-acoustic improvised music performances as well as worked on radio broadcasts and soundtracks for theatre / dance / indie films.

作品介紹 | Artwork description:

《引用(Quote)》聲音裝置作品 | “Quote” Sound Installation

日常生活中,聲音從不絕于耳,有些聲音特別熟悉,親切。有些聲音帶有回憶,有些聲音听到了就舒服。但是有些聲音在每日的重复中被忽略,落入日常循環的洪流中。《引用(Quote)》是把聲音定格,轉移至另外一個場景,讓那聲音可以再被認識,被确認,再熟悉。

Each community has its own breath, heartbeats & sound. Sound lingers on faintly in our everyday life, while some sounds are especially familiar to us. Certain sounds sooth us and bring us memories, others may create a dissonance in us. However, these sounds eventually become a part of the background and are neglected in our daily forward rush in life, ultimately falling into oblivion in the mighty current of time. In“Quote”, by making the sound concrete we can transfer the sound to different location, shifts to other scene, enable the sound to be known and become familiar once again.

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